Rebecca Solnit on Books

Art Source: Anon

Dear Readers,

Nearly every book has the same architecture — cover, spine, pages — but you open them onto worlds and gifts far beyond what paper and ink are, and on the inside they are every shape and power. Some books are toolkits you take up to fix things, from the most practical to the most mysterious, from your house to your heart, or to make things, from cakes to ships. Some books are wings. Some are horses that run away with you. Some are parties to which you are invited, full of friends who are there even when you have no friends. In some books you meet one remarkable person; in others a whole group or even a culture. Some books are medicine, bitter but clarifying. Some books are puzzles, mazes, tangles, jungles. Some long books are journeys, and at the end you are not the same person you were at the beginning. Some are handheld lights you can shine on almost anything.

The books of my childhood were bricks, not for throwing but for building. I piled the books around me for protection and withdrew inside their battlements, building a tower in which I escaped my unhappy circumstances. There I lived for many years, in love with books, taking refuge in books, learning from books a strange data-rich out-of-date version of what it means to be human. Books gave me refuge. Or I built refuge out of them, out of these books that were both bricks and magical spells, protective spells I spun around myself. They can be doorways and ships and fortresses for anyone who loves them.

And I grew up to write books, as I’d hoped, so I know that each of them is a gift a writer made for strangers, a gift I’ve given a few times and received so many times, every day since I was six.

Rebecca Solnit


Do I Know About the b? Indeed I Do.

Soooo, the small “b” in the font I have chosen for some of the text for my blog posts began spontaneously highlighting the lower case b (as you may have noticed). Just the b. Nothing else. I at once like it, and it bugs the shit out of me. So I am leaving it for now.

Today as I began to post I saw the b. I was a tad bristled, but the High Priestess came to me and this is what she said— “Leave it b. It should b highlighted. It is Nirvana on this plane, the whole of your existence— to b. Let it b a constant reminder to you every time you create a post. Just b.

That High Priestess knows her shit.

The Fluidity of Truth

“Doing it right the first time” does not always look the same way. Truth is a dance where the rules and certainties change with the circumstances. This fluidity is what makes truth so interesting. because of it’s marriage to nonviolence, Truth has a fluidity about it. In one situation truth shows up boldly and courageously, as when we do a tough intervention on a loved one who is faltering under alcoholism. In another situation, truth shows up in a most gentle way, as when we heap praise upon a young child’s diligent artwork. Both of these examples show a different flavor that he practice of truth takes when it is partnered with the love of nonviolence. The compassion of nonviolence keeps truthfulness from being a personal weapon. It asks us to think twice before we walk around mowing people down with our truth, and then wonder where everyone went.
The fluidity of truth also requires that we clean our lens, and periodically get new glasses with which to observe the world.”

Deborah Adele, The Yamas & The Niyamas

An Abiding Calm

“The Buddhists speak of an abiding calm.

A centeredness that is unshakeable.

Like a tall tree so rooted in the earth that the great winds cannot topple it.

This for me is the image of contentment.

It means not riding the waves of the ups and downs of life.

It means that we not only agree to what is in the moment, but we actually welcome it.

It means that in all the noise and demands of modernity, we stay in the abiding calm center.

This is the mastery of life that contentment invites us into.

The practice of gratitude and “non-seeking” can help us stay rooted in this jewel.”

Deborah Adele, from her book The Yamas & The Niyamas